https://www.fashioningtheself.com/writing-index daily 0.75 2020-05-21 https://www.fashioningtheself.com/writing-index/a-conversation-with-serena-lee monthly 0.5 2020-05-22 https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1590118901573-ET7UVYO8Q35YGDB6FOUF/georgian.jpg Writing - "A Love Letter to Myself": A Transformative Conversation with Serena Lee As a child, Lee was inspired by this 1784 portrait of Queen Charlotte, who is rumored of being of African descent, and now she uses it as the profile picture for @georgian_diaspora. https://www.fashioningtheself.com/writing-index/karyn-wagner-madam-cj-walker monthly 0.5 2020-04-06 https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1585261940315-7N593HQ8LC1LNB9N534M/Cover+photo.jpg Writing - Madam C.J. Walker’s Style Inspires the Costuming in Self Made Madam C.J. Walker (played by Octavia Spencer toasts her admittance into the National Negro Business League (Courtesy of Netflix). https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1585342248474-0NEN8RW4IDQZGT77D4I6/Picture+1+-+Mood+board.png Writing - Madam C.J. Walker’s Style Inspires the Costuming in Self Made Wagner’s moodboard for the costume that Madam C.J. Walker wore to impress potential investors (Courtesy of Karyn Wagner). https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1585262407232-8UL14YEN154C40HY1P0A/Picture+1+-+film+still.jpg Writing - Madam C.J. Walker’s Style Inspires the Costuming in Self Made Madam C.J. Walker (played by Octavia Spencer) flanked by her husband Charles James Walker (played by Blair Underwood) and her business partner Freeman Briley Ransom (played by Kevin Carroll) (Courtesy of Netflix). https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1585347556498-UG0A6XSA3AL0E5NV53K0/c5e9af9f-6823-4ade-9b82-2b75c1a63ada-mcjw_103_unit_00092r2c.jpg Writing - Madam C.J. Walker’s Style Inspires the Costuming in Self Made Tiffany Haddish as A’Lelia Walker (Courtesy of Netflix). https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1585342370034-K73RZ2K41QHEI5ADOPLO/Screen+Shot+2020-02-14+at+9.29.23+AM.png Writing - Madam C.J. Walker’s Style Inspires the Costuming in Self Made Wagner’s moodboard for John Robinson’s wardrobe (Courtesy of Karyn Wagner). https://www.fashioningtheself.com/home daily 0.75 2020-05-25 https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1582925900116-UAMAO8B5U3U6LVM6BNRU/image-asset.jpeg Home - Fashioning the Self in Slavery and Freedom https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1582925900116-UAMAO8B5U3U6LVM6BNRU/image-asset.jpeg Home - Fashioning the Self in Slavery and Freedom https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1583560427508-2KL0513GHZJALBYJNK1A/13422209_506982196163833_1048836683710102002_o.jpg Home https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1583810340120-CYMP1T3Z4A73GQ6FDOCF/b289f32ab10e58bb4de5f0a6a05a9687.jpg Home Issac Julian Lessons of the Hour 2019 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Odalisque Atlas: White History as Told through Art https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1584837382262-YBW8D9TBGUV2AK67FQDP/IMG_1061+copy.jpg Odalisque Atlas: White History as Told through Art https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1584837249250-F5ZJ4OEN74ZWXSGIVX0L/IMG_1055+copy.jpg Odalisque Atlas: White History as Told through Art https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1584837320624-GTYU46HA74OIGRRKTFDW/IMG_1063+copy.jpg Odalisque Atlas: White History as Told through Art https://www.fashioningtheself.com/who-we-are daily 0.75 2020-10-14 https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1598536998288-84GCEP925X2QEGF0XGJY/Image%2B6%2Bcopy.jpg Who We Are - About Fashioning the Self in Slavery and Freedom predominately explores the intersections between slavery and fashion. This digital humanities project is also an entry point for exploring larger questions of race, identity, and equity. As enslaved people did not have access to many forms of self-expression, their sartorial ingenuity is of particular consequence. There is a great need to study and disseminate information on the importance of fashion to enslaved peoples, especially considering that the relationship between dress and enslavement intersects with present-day identities of people of African descent. Because of this past and present significance, Fashioning the Self presents original content, articles, archival images, and videos with explanatory captions on social media platforms. Thousands of followers have joined this successful virtual community, including academics, curators, costume designers, artists, and laypersons, all interested in learning more about this intersection between slavery and fashion. Beyond its curated social media posts, Fashioning the Self provides a forum and laboratory for scholars to explore their identities through creative expression and critical reflections. These online conversations are expanded through the development of limited-run zines, exhibitions, conferences, and speaking engagements. https://images.squarespace-cdn.com/content/v1/5c85555f94d71a2ff5c73f23/1599228551725-CZTVKJKXII8OAMDBG673/headshotsmall.jpg Who We Are - Jonathan Michael Square is a writer and historian specializing in fashion and visual culture of the African Diaspora. He has a PhD in history from New York University, a master’s degree from the University of Texas at Austin, and a B.A. from Cornell University. He has taught at the University of Pennsylvania, Fashion Institute of Technology, Parsons School of Design, and currently at Harvard University. He has written for Fashionista, Fashion Studies Journal, Refinery29, Vestoj, Hyperallergic, British Art Studies, and International Journal of Fashion Studies. A proponent in the power of social media as a platform for radical pedagogy, he founded and runs the digital humanities project Fashioning the Self in Slavery and Freedom, which explores the intersection of fashion and slavery. 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